Claude Duthuit et Rémi Labrusse
Autour de Georges Duthuit
Liste des ouvrages
Panofsky and the foundation of art history
Holly, Michael Ann
Cornell University Press, Ithaca and London, 1984.
In-8, broché sous couverture illustrée en noir, 267 pp.
Ouvrage en langue anglaise.
Bon état d'ensemble. Un coin émoussé, légères salissures sur une tranche.
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Preface - 1. Introduction : Historical Background - 2. Panofsky and Wölfflin - 3. Panofsky and Riegl - 4. Contemporary Issues - 5. Panofsky and Cassirer - 6. Later Work : An Iconological Perspective - Notes - Selected Biography - Index.
"An absolutely first-rate piece of work. This is a lively, trenchant book, rich in specific and revealing detail." Nancy S. Streuver, Department of History, The Johns Hopkins University.
"This is a fine piece of work on a significant subject. It will be of immense interest to everyone concerned with the history of visual forms." David Cast, Department of History of Art, Bryn Mawr College.
No one has been more influential in the contemporary practice of art history than Erwin Panofsky, yet many of Panofsky's early seminal papers remain virtually unknown to art historians. This book explores the intellectual origins of contemporary art history. Placing Panofsky's theoretical work first in the context of the major historical paradigms generated by Hegel, Burckhardt, and Dilthey, Holly shows how these paradigms themselves became the grounds for creative controversy among Panofsky's predecessors in art history -Riegl, Wölfflin, Warburg, and Dvorak, among others.
"This is a fine piece of work on a significant subject. It will be of immense interest to everyone concerned with the history of visual forms." David Cast, Department of History of Art, Bryn Mawr College.
No one has been more influential in the contemporary practice of art history than Erwin Panofsky, yet many of Panofsky's early seminal papers remain virtually unknown to art historians. This book explores the intellectual origins of contemporary art history. Placing Panofsky's theoretical work first in the context of the major historical paradigms generated by Hegel, Burckhardt, and Dilthey, Holly shows how these paradigms themselves became the grounds for creative controversy among Panofsky's predecessors in art history -Riegl, Wölfflin, Warburg, and Dvorak, among others.
