Blake as an artist

Bindman, David

Phaidon Press Limited, Oxford, 1977.

William Blake as an Artist - David Bindman - Romantism - British Art - Painting - The Artist's Idea - Blake as artist, poet, prophet and craftsman - Hardcover - Fairly Good Condition

In-4, cartonnage éditeur sous jaquette illustrée en couleur, 256 pp.

A un cahier de 70 pages d'illustrations en noir et en couleur.

Bon état d'ensemble. Jaquette légèrement frottée.

Preface - Introduction - Section One : The Emergence of the Prophet 1. The Visionary Apprentice. - 2. Student and Independent Engraver. - 3. Painting and Prophecy - Section Two : The Infernal Method 4. Illuminated Printing and Private Methodology. - 5. Swedenborg and Swedenborgianism. - 6. The Three Tracts : There is no Natural Religion, series a and b, and All Religions are One. - 7. The Landscape of Innocence. - 8. Revolutionnary Intimations - Section Three : The Prophecies 9. The Continental Myth. - 10. The Process of Creation : from the Notebook to Songs of Experience. - 11. The Myth of Creation : the completion of the Bible of Hell and the Large Colour Prints. - 12. The Lambeth Books and Blake's Contemporaries - Section Four : Primitive and Original Ways of Execution 13. Young's Night Thoughts and Gray's Poems. - 14. The Butts Tempera Series. - 15. Felpham. - 16. The Return to London - Section Five : Failure and Self-Justification 17. Blair's Grave. - 18. The Defence of Visionary Art. - 19. Apocalypse and Last Judgement - Section Six : Milton and the Epics : 20. Milton and Jerusalem. - 21. Comus and Paradise Lost. - 22. Illustrations to Milton's Minor Poems - Section Seven : The End of the Pilgrimage 23. The New Public. - 24. The Book of Job. - 25. The Last Works - Appendix A. Brief Guide to the Illuminated Books. - Appendix B. A Glossary of Blakean Terms - Notes - Index.